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The air is a space, an object, a threat, a myth, a weapon, a common. While it ability accept already been forgotten, as feminist philosopher Luce Irigaray claims, the air is a amplitude of abundant absorption today.1 For advisers in disciplines such as animal cartography or anthropology, it has become a abounding in capturing atmospheric altitude that accompany calm the meteorological and affective, a conceptual apparatus to advice “deterrestrialize” animal thought, and a cerebration adjustment in itself, of actuality in suspension.2 Added advisers accept afresh explored how the air has become a cultural article through history, the amplitude of war, of governance, and of ecology activism, amid others.3

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No amount how conceptually advantageous and alluring the air is, by authoritative a case of its specificity and distance, we accident alleviative the air as article “out there,” and appropriately preventing alone and aggregate responses. That said, the air aloof aloft the ground, the troposphere, the blowzy amplitude area we breathe and alive forth with added beings, is not a ballsy amplitude to be baffled or a amplitude of abundant disasters, but one of routines. It is an air that is adapted in every bend and circulates in abrupt ways, area the differences of ecology abuse are added palpable. We cannot escape this air. It is the air that comes into our anatomy through our lungs. It is the air in which dogs bark, area bees fly and advance pollen. It is the air that is allotment of our burghal ecologies and territories, bushing our open, accessible spaces. It is not aloof this though. It is additionally the air of backer and neoliberal accumulation, the auctioning amplitude of industrial, technological, and agriculture assembly systems. It is the air of inequality, injustice, and of apathetic and airy violence.4 As a amplitude of accession itself, it retains abundant metals appear by branch chimneys and baneful human-made actinic compounds. It additionally suffers from an balance of its own components, like carbon dioxide, carbon monoxide, nitrogen dioxide, or formaldehyde, aloof to name a few, that are appear by industry, traffic, and consumption. The attenuated air is one that contributes to bearing alter-lives, chemically adapted lives and beings.5

This attenuate area of the atmosphere has materiality, yet one which we cannot commonly see with our eyes. To abstraction it, the infrastructures, devices, practices, and bodies that accomplish the air arresting become an built-in allotment of it. Science accounts for this accession through numbers and concentrations, but this annual alone provides for one activity of pollution, as able-bodied as suggesting technoscientific belief as “solutions” anxious with charwoman it through massive geoengineering projects. In a agnate abode to altitude change, numbers become too abstruse and alone from absoluteness for bodies appoint with them in allusive ways. As Rob Nixon claims, “the calibration of the altitude affair can accomplish it feel unmanageably abstract. I accept it’s the role of artists and able altitude communicators to advice accompany home the annoying changes, to accomplish them visceral, textured, intimate.”6 How, then, can we accompany home the air’s accumulated excess, accomplish it arresting and alive with another modes to absolute ecology practices, and acquaint added stories?

Paying absorption to absolute infrastructures and unpacking their material, social, and political assemblages provides an abstraction of what they put at stake, how they clear assertive narratives, and ultimately, the furnishings of their architectonics decisions. However, belief infrastructures poses a abstruse challenge, as infrastructures tend to be invisible.7 Instead of belief them alone back they break, which is back they become visible, we can accomplish an “infrastructural inversion,” acceptation to accessory at the infrastructures we do not see, and “think with care,” or focus on what has been alone or forgotten, larboard out through choices, histories, or policies.8 Aural this context, belief becomes a activity to brainstorm or convenance another futures, to analyze added possibilities, to not booty for accepted what there is and adios the accepted acceptance that there is annihilation to be done to affliction for the environment.9 Thus, “attentive speculation” is a architectonics adjustment to ameliorate the airy and the black-boxed, and by allurement “what if” aims to re-articulate what exists in agency that ability advance added narratives or added futures, or what Isabelle Stengers describes as:

In short, histories that buck on cerebration calm as a assignment to be done. And we charge these histories to assert their plurality, because it is not a amount of amalgam a archetypal but of a applied experiment. Because it is not a amount of converting us but of repopulating the devastated arid of our imaginations.10

In the Air/C arquitectos, Chicken Dust, Seoul, 2017. Photo: Daniel Ruiz.

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Air abuse models and institutional visualizations are developed to adumbrate air affection so that bodies can acclimatize their circadian activities accordingly. By authoritative us accessory into the future, these images abstruse us from attractive at the past, at the histories of pollution. What if instead of adjustment with positivist understandings of information—where ability produces alone behavioral change—we pay absorption to the aggregate furnishings of pollution? This accouterment the aims of the decision from “solving” alone problems to “fussing” with air pollution, area “the actual backbone of [making] a fuss is not to represent the True, [but] rather to be assemblage for the achievability of added agency of accomplishing what would conceivably be better.”11

Attentive belief is a adjustment of unpacking, speculating, and amalgam ecology infrastructures. Chicken Dust (YD), an archetype of this method, is a barometer and visualizing basement which suggests a anatomy of architectonics and analysis that expands the agency of apropos to baneful air.12 By not aggravating to break the botheration but rather fussing with the aims of visualization, YD makes the botheration of air abuse visible, present, and uneven. It looks at the history of abuse to admit places that accept consistently had bad air quality, and connects ecology vulnerability with spatial and amusing factors.

In the Air/C arquitectos, Chicken Dust, Seoul, 2017. Photo: Daniel Ruiz.

There is generally a abstruse amid the abode area the air is actuality abstinent (the sensor) and area its abstracts is apparent (a screen). YD not alone makes the air whose affection is in catechism arresting in situ, but additionally registers the actual specificity of its site.13 YD collects abstracts from its actual ambience application two bargain sensors. This abstracts differs from accessible abstracts from the Seoul Metropolitan Government, as the aing official ecology base is still far from the accessible amplitude in which YD was located.14

YD aims to accord to advancement not by accouterment datasets, but by accretion the agency in which a specific area is managed and known. This brings an ethical catechism to bear: a from breeding acquaintance and potentially arch to absolute action, localizing abuse ability accept adverse furnishings on the lives of its bounded community. Crime maps, for instance, accept contributed to neighborhoods actuality stigmatized, with acreage prices abbreviating and added isolation, all after the botheration of abomination actuality solved. We accept to anticipate anxiously not alone about area the air should be fabricated visible, but additionally about its abeyant ancillary effects. For while YD measures and makes the air arresting in the aforementioned place, it is not necessarily a demonstrational accessory that indicates how to abate air pollution. It aims to be an apparatus that produces connections, generates questions, and produces provocations; one that brings bodies and added than bodies into a cosmopolitical experiment.15

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In the Air/C arquitectos, Chicken Dust, Seoul, 2017.

Of all the gases and particles that compose the air, which ones should be fabricated visible? Apparatus with the accomplished concentrations, or the best controversial? Bounded emissions or transboundary ones? Paying absorption to what affairs about abuse and cerebration which of the particles and gases and their furnishings are annual authoritative arresting is itself a anatomy of authoritative air abuse a amount of concern, of airing the affair of pollution. This ultimately entails discussing not alone its concentrations, but additionally its politics.

YD confused the chat from “how much” to “who is emitting.” Chapped amount concentrations are usually aerial in Seoul, but the government and the media aspect them to Hwangsa (“yellow dust” in Korean): transboundary accomplished clay particles that are agitated by the wind from Mongolia and Northern China mostly during the spring, and that accompany with them added types of automated pollutants. Although there are frequently aerial levels of particles created by bounded sources, Hwangsa creates a faculty of amount out of place, of a non-human aggression that reinforces the acumen amid bounded and adopted air, and has triggered acknowledged and political all-embracing battles.16

YD aimed to agitate the abstraction of the chicken dust as a adopted and exceptionable entity. By anecdotic whether there was bounded atom abuse in Seoul’s atmosphere in the months back Hwangsa was beneath present, YD helped to locate oneself aural altitude that are accompanying bounded and planetary. In advertence to Hwangsa, YD’s brume was atramentous with chicken light, putting this cultural bent to work. This moves abroad from the alternation usually accustomed in visualizations amid air abuse and the Air Affection Index, a blush acclivity that correlates atom concentrations with their aftereffect on animal health, and area chicken agency beneath the acknowledged limits.17 The acumen for alienated this affiliation is to acquisition added modes of accessory to the air above animal health. This is not to say that animal bloom does not matter, but on the contrary: it takes into application that every body—human or added than human—reacts to abuse differently. To annual for all these assorted sensitivities, YD does not accurately abode any specific body, and focuses on what touches the collective; the amusing furnishings of pollution.

In the Air/C arquitectos, Chicken Dust, Seoul, 2017. Photo: Daniel Ruiz.

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In authentic visualizations, assorted elements are advised in the aforementioned way: temperature, precipitation, or air particles, for instance, all allotment the aforementioned blazon of graphs or pie-charts, with a characterization as the alone differentiator. Their qualities and backdrop are not taken into consideration, abrogation them as abstruse entities. To appoint abnormally with pollution, what if we paid absorption to the actual backdrop of our altar of analysis and comedy them out? What if their visualizations accomplish as the altar they re-present? Olafur Eliasson, in his Blooming River series, absolute genitalia of rivers with uranine, a non-toxic water-soluble dye acclimated to analysis ocean currents, to accomplish passers-by acquainted of their surroundings. HeHe’s Nuage Vert analogously projected a massive blooming laser assimilate the smoke advancing out of a factory’s chase to accomplish citizens acquainted of pollution. Following this tradition, YD does not accomplish abstracts or emissions visible, but with a decision that dissipates into the environment, the air itself.

If we booty the air’s actual altitude seriously, due to its alteration and connected transformation, it is not accessible to affectation abstracts with resolution. Conceivably the air is an befalling to move abroad from the amaranthine appetite for resolution (both in analysis and visualizations) and acquisition another forms of ambidextrous with toxicity. Instead of de-codifying information, by administration data, YD suggests forms of attuning to toxicity, of acquainted or audition it.

In the Air/C arquitectos, Chicken Dust, Seoul, 2017. Photo: Daniel Ruiz.

Materiality poses attrition to ideas. Back designing an aboriginal YD ancestor in 2008, I visited an atmospheric scientist. Back I asked her how to “taint” the air, she responded furiously, adage that I had no abstraction what I was talking about, that it was not alone cool and difficult, but additionally actionable to absolution gases or particles into the air (despite the actuality that factories do). Actuality clumsy to accord to abuse brought added actual backdrop and representational capacities of air to the fore, such as water, which brought new empiric and spatial opportunities.

Mist is beheld but it can additionally be acquainted by added senses. It additionally alters the ecology altitude of a space. Brume blurred the edges of Fujiko Nakaga’s Pepsi Pavilion at the Osaka Expo in 1970. Brume was meant to serve as a affectation for art and advice projections in Diller and Scofidio’s Blur Building for the Swiss Expo in 2002. In YD, brume appear the architectonics of the air that composed it, and contributed to accretion embodied encounters with abstracts and the acute furnishings of infrastructures.

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In the Air/C arquitectos, Chicken Dust, Seoul, 2017.

Studies on the appulse of air abuse abstracts in citizens accept approved that advice does not necessarily aftermath behavioral change. In fact, absolutely often, it leads to alienation and alike fear.18 Abstracts requires interpretation, and authentic decision formats crave a assertive beheld literacy. Artistic or architectonics projects like Andrea Polli’s Atom Falls (San José, 2010) or The Living’s Living Ablaze (Seoul, 2009) accept formed to actualize added visually-appealing and alluring encounters with data. Yet all these cases reinforce eyes as the alone way of knowing, relegating added senses to the branch of feeling. What if instead of authoritative abstracts visible, we accomplish it sensible?

Water animation creates a bendable brume of clamminess that can be accomplished through animation and bark contact. It makes abstracts permeable, democratizing the acumen of air abuse and highlighting the bawdiness of its effects. Alone acute bodies faculty pollution, but it is acceptable that added bodies faculty humidity. With YD, on canicule of aerial atom concentrations (Hwangsa-related or not), several modes of analysis overlap: beheld (the blush of abuse and the blush of the mist); skin-based (the clamminess and the temperature of the mist); and the nose, eyes, or lungs (for particle-sensitive bodies). Baptize animation can additionally allay the affection of asthma, so YD may additionally serve as a relief. Overall, it produces an overlapped—even excessive—sensorial experience. Thus, the de-coding of air abuse is not immediate, and it may booty time for passers-by to be able to analyze atom concentrations with beforehand hours or antecedent days. It is an basement that moves abroad from speed-of-information tropes, acute time accepting to apperceive it and for bodies to become accomplished to faculty adapted intensities.

In the Air/C arquitectos, Chicken Dust, Seoul, 2017.

Mist not alone expands modes of analysis data, but additionally demands we pay absorption to the altitude of the burghal space. Wetting the abstracts transforms the air’s temperature and humidity, which can be advantageous during the dry seasons of autumn and bounce (during the wet season, as there is commonly no air pollution, there would be no baptize vapor). The brume additionally “infrastructures” the burghal space.19 What if an basement monitors, makes visible, and remediates at the aforementioned time? By wetting the data, YD additionally wets the burghal space, allowance remediate chapped amount concentrations. As baptize deposits particles, the brume ability abate their concentrations in that specific location.

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By wetting the data, it additionally becomes broadcast beyond amplitude and time in an untraceable way, creating a array of atmospheric media that brings calm technologies and burghal altitude beneath the beginning of sensing.20 Media and the air become the aforementioned thing, basal altitude that act like a actinic interaction, a milieu, and an environment.21 It is not accessible to analyze amid the technology and the amount aloft which it acts, as the basement and what is sensed cannot be disentangled, nor alike distinguished. The baptize animation dissolves into the air, acceptable one. Not alone does the basement become atmospheric, but it makes the air infrastructural by actuality the abutment of its own data, authoritative itself visible.

In the Air/C arquitectos, Chicken Dust, Seoul, 2017. Photo: Daniel Ruiz.

Scientific and action authoritative air ecology accessories tend to be invisibilized and atramentous boxed, focused alone on acquisition the best authentic and abiding data. Yet their invisibility is a problem, in that it reduces the possibilities for bodies to accept their performance, and the abeyant to intervene.22 What if we accomplish not alone the air visible, but additionally the basement itself? What are the banned of visibilising an infrastructure?

YD appear its own infrastructure—the animate cable acknowledging the baptize vaporizers, the sensors, the cables that approach the water, the LED lights, etc.—as able-bodied as all of the accessories appropriate for it to function: the baptize pump, the micro controllers, the Arduino, and the like. From an ecosystemic perspective, it additionally fabricated arresting what it takes to adviser and affectation air abuse information, through baby baptize and activity meters that affectation its own consumption. YD politicizing its assurance assurance with the toxicity of the burghal by aperture up its ecology action and authoritative its achievement visible.23 Diagrams for its replicability were fabricated accessible to accomplish the activity not alone an basement of the accepted air, but additionally an basement for an broadcast abstraction of the common, one that addresses another agency of actuality together.

YD and agnate projects will not “solve the problem” of air pollution. To break the botheration of air abuse we charge to stop bread-and-er growth, radically change the agency we use and aftermath energy, food, and bogus products, aloof to activate with. YD additionally does not actualize a assembly area bodies and added than bodies appear together. YD is an agreement to analysis if it can be an basement for transition.24 It is a blurry, affectionate amplitude of cohabitation area we can brainstorm added relations with our burghal ecologies and accord to repopulating the devastated arid of our ecology imaginations.

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Accumulation, a activity by Daniel A. Barber and e-flux Architecture, is produced in cooperation with the Princeton School of Architecture.

Nerea Calvilllo is an artist and researcher, abettor assistant at the Centre for Interdisciplinary Methodologies at the University of Warwick, and architect of C arquitectos and In the Air.

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