If “The New Normal” was article of an central antic about UCCA’s allotment troubles, the countdown exhibition at UCCA Dune additionally plays, in a way, with the contradictions amid the museum’s accustomed ambience and the actuality that it’s additionally allotment of a massive absolute acreage development. Entitled “After Nature” (自然后), the appearance suggests that animal activity—including the cranes, atramentous stacks, and accurate mixers so all-over in China—is now inseparable, climatically, and alike geologically, from nature.
“The abstraction is that we’re accomplished the moment of attributes as an abstruse abstraction that’s audible from ability or burghal life,” Tinari said. “It’s all-knowing now, in that Anthropocene interventions accept rendered that adventurous appearance of abstract attributes irrelevant.”
The development that UCCA Dune is a allotment of, the Aranya Gold Coast Community, has analogously engineered “naturalness” amid its accommodation buildings, hotels, and Tuscan-style villas. (The alone birds I saw there, for instance, were sculptures army to adorn the grounds.) That’s a absurdity that the show, which appearance works by nine Chinese artists built-in amid 1942 and 1988, confronts head-on.
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